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Stradivarius Violin Documentary Video
Stradivarius Violin Documentary Video
stradivarius violin documentary video
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In Search of the Messiah (Stradivari Violin) Part 4~4
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| | Stradivarius $20.98 An inspirational story of young love and the transforming power of music, "Stradivarius" is a novel that will engage and delight everyone who believes that wonderful things can happen to good people. On the Korean peninsula during the freezing winter of 1951, a wounded American soldier finds a rare violin in the wall of a farmhouse where he has taken refuge. This is the beautifully told story of how a centuries-old Stradivarius came to be in that unlikely place and how it changed the life of all who possessed it. For this great instrument carries with it a kind of magic and all who use it well are wrapped in its beneficent spell. This is also the story of two families from different cultures and different parts of the world: one rural, Baptist, Southern; the other, sophisticated, European, Jewish. The link between them is an abiding love of great music, possession of the violin, and the boy genius from the mountains of West Virginia, Ailey Barkwood. The remarkable route by which the violin reaches Ailey’s talented hands, the course of love between two special but very different young people, and how great music, real genius, and moral choices can alter destiny are the ingredients that make Donald Ladew’s tale a novel that can be read, reread and remembered. |
| | The String Centre Stradivarius Violin/Viola Chinrest Ebony Regular Height $16.95 The String Centre Stradivarius Violin/Viola Chinrest Ebony Regular Height |
| | The Lost Stradivarius $4.48 Chilling in the extreme, "The Lost Stradivarius" is a classic tale of the supernatural. While practicing in his rooms in Oxford, gifted violinist John Maltravers notices a strange phenomenon: whenever a certain air is played, a mysterious presence seems to enter. Unable to rationalize this away, Maltravers becomes increasingly unsettled, until he makes a startling discovery–tucked away in a hidden cupboard in his room is a priceless Stradivarius Obsessed by his find, he becomes increasingly withdrawn from those around him, choosing instead to explore more sinister pursuits, little knowing the spell that this seemingly perfect violin is unleashing upon him. English poet and novelist J. Meade Falkner is best remembered for his novel, "Moonfleet." |
| | The Case of the Missing Stradivarius $31.48 Donato del Nero arrives in London for a concert which he hopes will establishhimself as the greatest virtuoso of the age, he discovers that his priceless instrument – the Medici Stradivarius – has been stolen. Only on the Medici, once the secret treasure of Paganini and rumoured to possess near-magical properties as Stradivarius’ masterpiece, has del Nero been able to realise his enormous potential as a peerless genius of the violin. Without it he fears the collapse of his talent.Fortunately Mr Sherlock Holmes, whose own talents have been languishing sincethe death of archrival Professor Moriarty and who has been contemplating retirement from criminal detection, is pressed into action. His investigation ofthe theft becomes simultaneously a fascinating inquiry into the secrets ofviolin-making and the art of musical interpretation and virtuosity.Erudite and witty, The Case of the Missing Stradivarius is sure to delight players and lovers of music, as well as fans of Conan Doyle’s immortal detective. |
| | Epicenter DVD: A Video Documentary $17.48 This documentary is based on the New York Times best-selling book $lt;i>Epicenter$lt;/i> by Joel C. Rosenberg. Filmed on location in the Middle East, Joel C. Rosenberg and Skip Heitzig conduct exclusive interviews with a variety of key leaders from military, government, business, and Christian ministry, as well as skeptics and critics of evangelical Christian views of the "last days." These interviews will give a historical context and a foundation for how current events will shape our future. With growing interest in prophecy, this documentary will answer questions such as "Are we living in the last days?" The DVD will be released on the 40th anniversary of the Six Days’ War $lt;br>$lt;B>FEATURES:$lt;/B> $lt;ul> $lt;li>Filmed on location in Israel and Middle Eastern countries $lt;li>Special 1-hour documentary with 2 hours of special features $lt;li>Exclusive interviews with Former Israeli prime minister Benjamin Netanyahu; Former deputy prime minister Natan Sharansky; Dorey Gold, former U.N. ambassador from Israel; Tim LaHaye, author of the Left Behind series; Greg Laurie, senior pastor and evangelist $lt;li>Joel & Skip Q & A about end times events $lt;/ul> |
| | Documenting the Documentary: Close Readings of Documentary Film and Video $34.48 Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation — but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov’s Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel’s Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico (1932) as the presentation of an "exotic" culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. |
| | Subject of Documentary $27.98 The documentary, a genre as old as cinema itself, has traditionally aspired to objectivity. Whether making ethnographic, propagandistic, or educational films, documentarians have pointed the camera outward, drawing as little attention to themselves as possible. In recent decades, however, a new kind of documentary has emerged in which the filmmaker has become the subject of the work. Whether chronicling family history, sexual identity, or a personal or social world, this new generation of nonfiction filmmakers has defiantly embraced autobiography. In The Subject of Documentary, Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. By looking at key figures in documentary filmmaking as well as noncanonical video art and avant-garde artists, Renov broadens the definition of what counts as documentary, and explores the intersection of the personal and political, considering how memory can create a way into asking troubling questions about identity, oppression, and resiliency. Offering historical context for the explosion of personal nonfiction filmmaking in the 1980s and 1990s, Renov analyzes films in which the subjectivity of the filmmaker is expressly defined in relation to political struggle or historical trauma, from Haskell Wexler’s Medium Cool to Jonas Mekas’s Lost, Lost, Lost. And, looking beyond the traditional documentary, Renov contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page. Unique in its attention to diverse expressions of personal nonfiction filmmaking, The Subject of Documentary forges a new understanding of theheightened role and function of subjectivity in contemporary documentary practice. Michael Renov is professor of critical studies at the USC School of Cinema-Television. He is the editor of Theorizing Documentary and the coeditor of Resolutions: Contemporary Video Practices (Minnesota, 1996) and Collecting Visible Evidence (Minnesota, 1999). |
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